BODYCOTT

SOCIETY’S GRIP ON THE REPRESENTATION AND PERCEPTION OF THE FEMALE BODY AND SKIN IS TIGHTLY CLENCHED. WHERE VENUS ONCE WAS THE ‘IDEAL’ WOMAN, NEW IDEALS CONTINUE TO TAKE HER PLACE. BEAUTY HAS BEEN STOLEN FROM THE PEOPLE AND SOLD BACK TO THEM UNDER THE CONCEPT OF LUXURY. WHY DO WE ALLOW THE FEMALE SKIN AND ITS ‘DEFECTS’ TO BE A PRODUCT MANAGED BY THE SYSTEM WHEN THERE’S BEAUTY HIDDEN IN PLAIN SIGHT? digital clothing collection, digital designer

KOMBUCHA
1 / HEAT CENSORSHIP SERIES
2 / SHAPE SHIFTER SERIES
3 / SKIN SERIES
4 / TRADEMARK SERIES

HAND PALM

TEXTURE MADE WITH A VARIETY OF LEAFS AGED AND/OR STRETCHED SKIN. SYMBOLIZING THE SKIN STRUCTURE OF THE INSIDE OF ONE’S HAND.

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BIG BUMPS

PLASTER MOLD REPRESENTING LARGER BUMPS AND/OR LUMPS OF THE SKIN.

STITCHES

TEXTURE INSPIRED BY A DRESS BY CHRIS RHODES AND REBECCA JEFFS. SYMBOLIZING A STITCHED WOUND.

SMALL BUMPS

REPRESENTING RAZOR BUMPS,IMPURITIES, PROTRUDING MOLES, ETC. THE WAY THAT SOCIETY HAS CREATED 'PROBLEMS' LIKE BODY HAIR, TO SELL THE 'SOLUTION'.

BUMPS

BUMPS WITH A WRINKLED SKIN SURFACE. MADE OUT OF ECO-LATEX.

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